Choi Sun-woo’s Old House: A Testament to Korean Heritage and Aesthetic Philosophy
Choi Sun-woo’s Old House (崔淳雨 古宅) stands as a significant cultural and historical landmark in South Korea, embodying the life and vision of one of the country’s foremost art archaeologists and influential curators, Choi Sun-woo (1916-1984). As a hanok, a traditional Korean house characterized by its distinctive architectural style with tiled roofs and wooden beams, Choi’s residence is not merely a physical structure but a manifestation of his deep appreciation for Korean beauty and cultural identity. This essay delves into the life of Choi Sun-woo, explores the architectural elements of his old house, and reflects on how his works and philosophy correspond with the design of this dwelling.
The Life of Choi Sun-woo
Choi Sun-woo was born in 1916 during a tumultuous period in Korea’s history, marked by imperial domination and subsequent struggles for identity. His formal education in oriental art and archaeology was complemented by extensive travels and deep engagement with various forms of Korean cultural heritage. Notable for his position as the director of the National Museum of Korea, Choi played a crucial role in preserving and promoting Korea’s artistic traditions amidst a rapidly changing socio-political landscape.
Choi’s writings, particularly “Leaning on the Curved Column of Muryangsujeon Hall” and “I Think Mine Is Beautiful,” reveal his nuanced understanding of artistic beauty in the Korean context. His phraseology and metaphors eloquently express the inherent elegance of traditional Korean aesthetics, which emphasizes harmony, simplicity, and a deep connection to nature. Importantly, these writings situate Choi as a critical voice in the dialogue about the preservation of cultural identity, advocating for a recognition of traditional art forms in the face of modernization.